INT. BATHROOM
Shot - Close up of Luke's face under water, showing emotion and introducing the main character of the film
Shot - Long shot showing the side of Luke as he pulls his head out from a sink, establishes the room as a bathroom and that Luke was washing his face, he then reaches out for a towel.
Shot - Extreme close up of the towel as Luke grabs it, match on action shot.
Shot - medium-long shot as Luke dries his face before leaving the bathroom.
Shot - Long shot of Luke walking accross the landing in order to establish he is going to enter a different room, possibly showing him reaching for the door handle
INT. BEDROOM
Shot - Close up of a door, just before it opens and Luke enters.
Shot - long shot, establishing the room as a bedroom, Luke gets out a duffel bag and places it onto the bed.
Shot - Extreme close up of a small pile of t shirts and jeans. Lukes hand comes into each of the following shots and grabs the objects.
Shot - Extreme close up of socks and underwear.
Shot - Extreme close up of IPod.
Shot - Extreme close up a digital camera and a laptop.
Shot - Extreme close up of a wad of cash rolled up and tied with an elastic band.
Shot - Close up of the duffel bag, filled with all the objects from the previous shots.
Shot - Long shot, showing the room and Luke zipping up the bag, he thens goes over to a shelf and reaches for a video camera.
Shot - A close up of the video camera as Luke picks it up.
Shot - returning to the Long shot from before, Luke plays with the camera a bit, turning it on and picking up the duffel bag, he walks towards the door and opens it.
INT. HALLWAY - DAY
Shot handheld - The camera is now showing the view from the handheld camera, the shot starts from the other side of the door, Luke closes the door to his bedroom before turning around and making his way downstairs, half way down he lowers the camera don to the floor and the shot cuts to a normal camera shot.
Shot - Long shot looking up at Luke on the stairs as he shouts Nicole, he then starts to walk back down the stairs.
Shot - Long shot from the bottom of the stairs and showing the doorway, Luke gets to the bottom of the stairs and puts down his bag, he starts adjusting his shirt in the mirror.
Shot - Medium close up of Luke as he is adjusting hs collar, again this is to familiarise the audience with the character.
Shot - Long shot from before as Luke gets the camera back out and points it towards his face.
Shot - the same medium close up but this time the camera covers most of Lukes face although we can see him through the screen of the video camera. He turns the camera slightly cutting to...
Shot handheld - The handheld camera shot rotates around and shows Nicole walking in with a coffee in her hand, dialogue takes place and the camera gets closer to Nicole as Luke moves closer, then the camera moves down to the floor before turning off.
EXT. STREET
Shot - Extreme long shot showing the outside of the house from the street, Luke and Nicole exit from the house and Luke makes his way down the drive as Nicole stands by the door.
Shot - Long shot showing Luke from the side as he walks down the drive and then up to his car. he reaches out to open the car door.
Shot - Extreme close up of the car door handle as luke grabs it and pulls to open the door.
Shot - Long shot of Luke opening the door fully and getting in. He is only half way in as he is putting things in the car.
Shot - Close up inside the car as Luke places the duffel bag in the footwell of the passenger side and the video camera on the passenger seat.
Shot - Long shot showing the whole car as Luke Gets in fully and ives one last wave to Nicole, he then reaches for the door handle and begins to shut it.
Shot - Medium shot from the rear of the car as the door slams shut and the engine starts, Luke then drives away from the camera and the shot fades out.
Shot - Medium shot from inside the car in the back passenger seats looking into the front and onto Luke driving. He reaches over to the passenger seat and picks up the video camera. Turning it on and putting it on the dashboard pointing at himself.
Shot handheld - Close up of Luke as he speaks to the camera, before moving his hand towards it and covering the screen ending the shot.
EXT. MC'DONALDS - DAY
Shot - Long shot tilting down/zooming to show Luke outside of the Mc'Donalds resturant. As he begins to fiddle with the camera, he manages to turn it on and points it at himself
Shot (handheld) - Medium shot. Luke films himself, whilst speaking. He aims the camera to the back of him to show the resturant and also the burger whilst he is speaking.
Shot - Medium-long shot. We see luke turning the camera off as he gets off the bonnet.
EXT. HARBOR - DAY
Shot (handheld) - Medium shot. Shows Luke lent over some railings filming himself, speaking, he turns around so the railings are behind him and shows a little of the scenery.
Shot - Long shot. Luke turns around so the railings are behimd him. We can see the view behind him, obviously at a port.
Shot (handheld) - Medium shot. Luke points the camera to the floor as he is turning it off.
Shot - Medium-shot. We see Luke pointing the camera to the floor as he is turning it off.
INT. SHIP - NIGHT
Shot (handheld) (long-continuous) - Medium shot. Luke is walking down the corridoor filming himself. He speaks, and turns the camera around to show down the corridoor. A lady can be seen walking towards him with a bright red coat and a suitcase. He stands to the side to let her past, and continues to speak. After he has finished, he turns the camera off whilst the camera is still pointed at him.
Shot - Long. We see Luke stand to the side as the lady passes him.
EXT. COUNTRYSIDE - DAY
Shot - Extreme-Long shot. Filming car driving along the countryside. As car approaches, camera does not pan but simply lets the car pass.
Shot - Long-shot. Filming car travelling down the road (from the back of another car)
Shot - Extreme-long shot. Camera points towards the countryside filming the view, and pans to the left to show Luke's car driving towards it. As the car comes close (and passes), the camera tilts full around (In total, a 270+ degree rotation).
Shot - Long-shot. Camera films car coming from right, and quickly pans to the left as car passes.
Shot - Long-shot. Filming parrellel to the road, filming Luke's car drive past.
Shot - Long-shot filming at a 45* angle out of the window to show Luke's car
INT. COUNTRYSIDE - DAY
Shot (handheld) - Medium-closeup. Luke is filming himself (apparently driving). He speaks, and then Melissa takes the camera from him (In one continuous shot)
Shot - Medium-closeup. Showing Luke filming himself
Shot - Medium-closeup. Slow-zoom shot shows Luke talking and passing over the camera
Shot - Medium-closeup. Showing Melissa filming herself
EXT. MC'DONALDS - DAY
Shot - Long shot tilting down/zooming to show Luke outside of the Mc'Donalds resturant. As he begins to fiddle with the camera, he manages to turn it on and points it at himself
Shot (handheld) - Medium shot. Luke films himself, whilst speaking. He aims the camera to the back of him to show the resturant and also the burger whilst he is speaking.
Shot - Medium-long shot. We see luke turning the camera off as he gets off the bonnet.
EXT. HARBOR - DAY
Shot (handheld) - Medium shot. Shows Luke lent over some railings filming himself, speaking, he turns around so the railings are behind him and shows a little of the scenery.
Shot - Long shot. Luke turns around so the railings are behimd him. We can see the view behind him, obviously at a port.
Shot (handheld) - Medium shot. Luke points the camera to the floor as he is turning it off.
Shot - Medium-shot. We see Luke pointing the camera to the floor as he is turning it off.
INT. SHIP - NIGHT
Shot (handheld) (long-continuous) - Medium shot. Luke is walking down the corridoor filming himself. He speaks, and turns the camera around to show down the corridoor. A lady can be seen walking towards him with a bright red coat and a suitcase. He stands to the side to let her past, and continues to speak. After he has finished, he turns the camera off whilst the camera is still pointed at him.
Shot - Long. We see Luke stand to the side as the lady passes him.
EXT. COUNTRYSIDE - DAY
Shot - Extreme-Long shot. Filming car driving along the countryside. As car approaches, camera does not pan but simply lets the car pass.
Shot - Long-shot. Filming car travelling down the road (from the back of another car)
Shot - Extreme-long shot. Camera points towards the countryside filming the view, and pans to the left to show Luke's car driving towards it. As the car comes close (and passes), the camera tilts full around (In total, a 270+ degree rotation).
Shot - Long-shot. Camera films car coming from right, and quickly pans to the left as car passes.
Shot - Long-shot. Filming parrellel to the road, filming Luke's car drive past.
Shot - Long-shot filming at a 45* angle out of the window to show Luke's car
INT. COUNTRYSIDE - DAY
Shot (handheld) - Medium-closeup. Luke is filming himself (apparently driving). He speaks, and then Melissa takes the camera from him (In one continuous shot)
Shot - Medium-closeup. Showing Luke filming himself
Shot - Medium-closeup. Slow-zoom shot shows Luke talking and passing over the camera
Shot - Medium-closeup. Showing Melissa filming herself
EXT. MOUNTAIN ROAD - DAY
Shot – Long shot parallel to the road from a low angle, car drives past
Shot (handheld) – Medium shot of passing trees; camera is a little out of focus, some of the car window can be seen.
INT. CAR – DAY
Shot – Medium shot through car windscreen, showing road ahead
Shot – Long shot from a distance of car at the side of the road
Shot – Close up of Luke seeing the car
Shot – Close up of Melissa
Shot – Long shot of Luke and Melissa slowing down and pulling over
Shot – Low angle shot of Melissa and Luke getting out of the car from passenger side, audience can see Luke’s feet from underneath the car, pan to left with Melissa
Shot – Medium shot from behind the bonnet of the other car, we can see Melissa and Luke in the shot walking towards the car. Luke stops. But Melissa carries on walking towards the camera
Shot – Medium shot, Melissa putting her arm around one of the strangers
Shot – Medium shot, Luke puts his arms in the air
Shot – Close up, metal bar slipping from the strangers’ sleeve
Shot – Medium shot, Luke is hit with the weapon
EXT. ROAD – DAY
Shot – Medium shot, Melissa getting in the car with the two men
Shot – Close up of door shutting
Shot – Medium shot, Luke’s bad being thrown out of the car, pan to left as car drives away
EXT ROAD – DAY
Shot – Long shot of quiet open road pan from left to right
Shot – medium long shot of a man walking along the edge of the road
Shot – close up of Luke in the road
Shot – medium shot of the man running towards Luke
Shot – Close up of the man’s hand turning Luke over and Luke’s face
Shot – medium shot from low angle of the man on his mobile phone
Shot – medium shot police/ ambulance arrive
Shot – close up of police /ambulance closing Luke’s eyes
INT. LIVING ROOM DAY
Shot – Medium shot of Nicole in living room
Shot – Medium shot of Police officer
Shot – Close up of Nicole
Shot – Medium shot of Nicole closing the door and going over to the table
Shot – Close up of Luke’s camera
Shot – Close up of Nicole as she picks up the camera
Shot – Close up of Nicole pressing play
Shot – zoom into camera screen, (screen then become the picture and we watch the video first hand)
Shot – Close up of Nicole’s face
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